Classical Music Series: Part I - Baroque

This post is part of my Classical Music Series. Read more about it in the introduction.

Baroque is the name given to music composed from 1600 to 1750, a period during which the foundation was laid not only for classical music, but for Western music in general. Composers started making use of basso continuo (also known as figured bass), in which a group of instruments (usually harpsichord, lute and cello) play a fixed bass line on which the chords and melody are improvised. This melody was usually played counterpoint, meaning that two melodies differ in their tempo and direction (for instance one melody going up, while the other goes down) but still sound harmonious or good together. Probably the most influential early baroque composer to implement these techniques was Claudio Monteverdi, who was also responsible for composing one of the earliest still surviving operas: L'Orfeo.

Thanks to Monteverdi baroque music gained attention and became highly popular by the mid-1600's. To be able to satisfy the public demand composers started to downscale the orchestras hereby creating chamber music, which could be played in smaller settings. In Italy the most influential composer at the time was Francesco Cavalli, a student of Monteverdi, who wrote more than 40 operas for small orchestras. Meanwhile in France Jean-Baptiste Lully, royal composer for king Louis XIV, mainly focused on ballets and comedies. Lully was also what we would nowadays call a conductor. He used a large staff to maintain the rhythm. Unfortunately for him this practice literally killed him. During a rendition of Te Deum he hit his foot with the staff, which resulted in gangrene and ultimately his death (who'd have guessed being a conductor was such a dangerous job?!).

Of course the pinnacle of baroque chamber music is the very well known Canon in D Major by Johann Pachelbel. Besides being one of the most played classical pieces during both weddings and funerals its chord scheme also inspired many pop songs over the years including Ralph McTell's Streets of London, Green Day's Basket Case and the more recent Bad Things by Machine Gun Kelly.

At the start of the 18th century baroque music reached its apex, with dozens of composers creating pieces still well known today. If I say for instance "Quattro Stagioni" you say.... Antonio Vivaldi (or granted, pizza if you're hungry). The Four Seasons is Vivaldi's most famous work, and rightfully so. He really manages to capture the feeling of each season in the music. We hear birds in spring, experience a thunderstorm in summer, join the harvest festivities in the autumn and seek shelter for the gruelling snowstorm in winter, the last being my personal favourite. Of course Vivaldi composed many other pieces, mainly concertos and sonatas, most of which have a very bright maybe even playful style.

A lot of Vivaldi's works were transcribed for organ by another great composer: Johann Sebastian Bach. Bach's works generally sound a bit more serious than Vivaldi's. This is not because Bach was German, but rather the fact that he composed many cantatas, masses and passions played in churches which required a more dignified sound. Nevertheless there are plenty of compositions in his 1000+ work oeuvre which sound uplifting (for example his Brandenburg Concertos).

The last composer I'd like to mention is George Frideric Handel, for one because he's one of the first composers I've ever attended a performance from (the Messiah),  but also because he's one of the greatest composers of the Baroque era. Born in Germany in 1685 (same year and country as Bach) Handel moved to Italy in 1703 before ending up in London in 1710. As such even though most of his works have been composed in England clear German and Italian Baroque influences can be heard in his music. Handel's most famous work is without a doubt the Hallelujah Chorus from aforementioned Messiah. Another piece worth listening to is Water Music, composed especially for King George I who requested a concert on the river Thames.

It's a difficult feat to try and summarize 150 years of music in such a short post, but I hope I've managed to peak your interest in Baroque music and maybe even taught you some music history.

If you want to hear more baroque music there are fortunately many ways to do so. YouTube of course is filled with music from all great composers. Some channels specialise in composers or certain instruments. Plenty of playlists can be found on Spotify and last but not least you can go old-school and turn on a classical music radio station. To help you get started I've listed some great works below.

Several Baroque masterpieces:

Arcangelo Corelli                            Concertogrosso, Op. 6, No. 8 in G minor

Henry Purcell                                  Rondeau fromAbdelazer

Georg Philipp Telemann                 Concerto in G major forViola and Strings

Giovanni Battista Pergolesi            Stabat Mater

Classical music series: Intro

During the past couple of months I have written posts on many different artists and genres. It might be difficult to imagine, but most of these diverse styles find their origins in the same music. Music that is nowadays known as classical music.

When people use the term classical music it is usually an umbrella term used to cover all music composed during a period spanning roughly 400 years. I find it therefore strange to hear people say they do not like classical music. It is like saying you don't like modern music, it just does not make any sense to reject such a wonderful and vast collection of works based on several individual pieces.

Classical music can be differentiated into the eras during which it was made: Baroque, Classical, Romantic and Impressionism to name a few. Each era had its trendsetters, innovators and perfectionists. In this series of posts I will highlight each of these periods and explain what separates one from the other, in the hopes of making you understand what it is exactly that you are listening to.

Part I - Baroque