Showing posts with label J-Pop. Show all posts
Showing posts with label J-Pop. Show all posts

30 December 2018

2018 in Music


As the year draws to a close almost every paper, magazine or website bombards you with lists that summarize, rank or rate this year's events. Because of this, and partly because the amount of posts has been lacking lately (mea culpa), I've decided to come up with my own summary. Of course it's a difficult, if not impossible, task to make an overview that justifies all released music this year. Therefore I've made a list of the artists and songs, covering different genres, that shaped my year. Enjoy '2018 in Music' and here's to a very musical 2019!!!

Hardstyle: Headhunterz
Admittedly, I haven't listened to much hardstyle this year. The genre just doesn't grip me as much as it used to anymore. There was however one album that did get my attention: 'The Return of Headhunterz'. It's a fitting title since Headhunterz' last hardstyle work dated from 2012.
The album is filled with the euphoric hardstyle bangers one might expect from this legend. No One Can Stop Us Now, Destiny and Path of the Hunter (based on the traditional Japanese song Sakura) are all equally impressive. My favourite song from the album however is Rescue Me, which is mainly due to the entrancing vocals of Lauren Nicole Walker




Ska punk: Leningrad
In March I stumbled across a Russian band called Leningrad and as you could read in my post I was very enthusiastic about them. Since I wrote that blog the band has continued to release a string of hits. Not Paris, Ju-Ju, Tsoy and Gold all have their own characteristic style both in sound and video. Out of all the artists I've discovered this year they're probably my favourite. Every time they release a song I can't wait for their next mini-story.



J-Pop: Reol
Believe it or not but 2018 was also the year I finally joined Spotify. Of course I had checked it out previously, but back then their library was far from complete and I felt it wasn't worth making an account for. However after my free month of Spotify premium this year I was sold. Their library now contained most of my favourite artists and discovering music was now so much easier. Case in point: Reol. Her high-pitched voice might not be everyone's cup of tea, but I absolutely love her unique way of singing. Her songs have both rock (End and SAIREN) and electronic (Saisaki and Violent White)  influences.



Reggaeton: Mau y Ricky
As summer started to approach my focus shifted to the Latin part of the world. Besides Sofia Reyes 1, 2, 3 (see post) the song I found myself playing most was the remix of Mau y Ricky's Mi Mala. The song itself is perfect for the hot summer weather but it also introduced me to a whole array of Latin artists and songs: Karol G (Mi Cama), Becky G (Sin Pijama), Leslie Grace (Duroy Suave) and last but least Lali (Sin Querer Queriendo).



Powermetal: Powerwolf
Another recommendation from Spotify, no doubt based on my love for symphonic and power metal, came in the form of Powerwolf. This German metal band is characterised by their gothic sound which makes heavy use of organs and choirs. Songs usually include werewolves, vampires or other dark fairytales fused with religious aspects. In combination with the raw voice of lead singer Atilla Dorn this all leads to very epic sounding songs like: Fire & Forgive, Demons Are A Girl's Best Friend and Killers With The Cross.


  
K-pop: Red Velvet
Long time readers of my blog might know that I've been a K-pop fan for years now. So much in fact even that this year I decided to pay a visit to the country that sparked the K-wave: South Korea. From the moment I set foot in Korea's capital Seoul it was clear that there was no escaping K-pop. In districts like Myeongdong and Gangnam stores blast K-pop through their speakers, sell K-pop merchandise and K-pop stars advertise everything from beverages to circle lenses. One of my favourite groups, that I actually had the pleasure of seeing perform live, is Red Velvet. The group, that even did a show in North Korea, combines a cute and bubbly image (Power Up) with a more mature and sexy one (Bad Boy).




Blues rock: Greta van Fleet
One band that really exploded into fame this year was Greta van Fleet. Many of my friends named them as their favourite festival act (as described in this post). Their enthusiasm was so infectious that I decided to pay Greta van Fleet a visit myself, together with my brother.  Their concert was held in October shortly after the release of their first full-length album 'Anthem of the Peaceful Army'. And while their performance was absolutely great their new work contained some more mellow songs, which weren't really to my liking. The song When the Curtain Falls however is one of my new favourites.



Hip hop: GRAY
Every country has their own talent shows on TV. Programs like Idols, The Voice and ... Got Talent in which "new stars are born". Usually I don't watch these shows because they don't produce the kind of artists I'm interested in. One exception I make for the Korean show 'Show Me The Money'. A hip hop talent show, believe it or not. This year the top six candidates performed a song together created by one of Korea's best hip hop producers: GRAY. It's a great song but apparently GRAY thought he could improve it, so he invited some other hip hop artists to feature on the track. The result is the 20 minute long 119 remix featuring not six, not ten, but 51 different artists!!! If you ever needed an introduction to the Korean hip hop scene this is it.



Other favourites
Arctic Monkeys - Tranquility Base Hotel & Casino (Indie rock)
BLACKPINK - DDU-DU DDU-DU (K-Pop)
TheFatRat - MAYDAY feat. Laura Brehm (Electronic)
Jvcki Wai - Enchanted Propaganda (Hip hop)
m-flo - No Question (J-Pop)

15 January 2017

J-Pop Rock: SEKAI NO OWARI


Often I discover music through association, for instance by looking at related videos when browsing YouTube. Other times it's because artists I know collaborate with artists I don't know yet. This last example was the case with SEKAI NO OWARI who I discovered while doing research for my blog about Clean Bandit. SEKAI NO OWARI, Japanese for 'End of the World', started out in 2010 as an indie-pop band. They released several songs, most of which are decent sounding like Angel and Devil, but they're not really my cup of tea.
Now try to imagine combining an auto-tuned voice, marching music, a choir and classical piano. Sounds interesting right? Well that's exactly what the group did in 2013 for their song RPG. It's a sound that works well and the group continued to use it in songs like Snow Magic Fantasy and The Flame and Forrest Carnival. However the group didn't sit still and started collaborations outside of Japan to diversify their sound. Dragon Night for instance was produced by Dutch DJ Nicky Romero, while Mr.Heartache was produced by Adam Young of Owl City. Nevertheless I like the band best when they do their own crazy Japanese thing with instrument playing animals and folk-dancing wolves in fairytale surroundings (look at Hey Ho and you'll understand what I mean).
SEKAI NO OWARI has announced that they'll release a new album this year and I for one can't wait until it's released. Meanwhile I'll keep listening to my favourite song of theirs, ANTI-HERO, which features one of the fastest piano-parts I've ever heard in a pop song.


Other favourites: Death Disco (gives an idea of their live-show)
                            Tokyo (collaboration with Owl City) 
                            SOS (amazing piano melody)

24 December 2016

Christmas Sounds


Few genres evoke such mixed reactions as Christmas songs. Whether this is caused by the actual quality of the songs or the fact that people have heard Mariah Carey and Wham! one too many times I'll leave for you to answer. In any case I wanted to use this week's blog to present several different Christmas alternatives sorted by genre. Enjoy, and have a very merry Christmas!

A capella
eSNa                                 Silent Night & O Holy Night medley
Home Free                        Grandma Got Runover By A Reindeer
Pentatonix                         God Rest Ye Merry Gentlemen & Coldest Winter

Electronic/House
Clean Bandit                      Christmas Special
Major Lazer                       ChristmasTrees
Aquadrop & Big Fish        Creepy Christmas
KiWi                                  The Christmas Party

Instrumental
Ryuichi Sakamoto            Merry Christmas Mr Lawrence
The Piano Guys                Angels We HaveHeard on High
Tina Guo                           Deck the Halls

J-Pop/K-Pop
Namie Amuro                   White Light
SEKAI NO OWARI          Silent Night
JeA                                    Winter, It's You
lol                                       xmaskiss

Rock
Twisted Sister                   Silver Bells
Elle Zamudio                    What Child is This

Soul
Sharon Jones                    Ain't No Chimneys in the Projects & White Christmas

25 September 2016

Rock/Jazz/J-Pop: Ringo Sheena


Because of my recent visit to Japan I thought it would be a nice opportunity to talk about a Japanese artist again. This time I've chosen Ringo Sheena. As you can see from the title of this post I had some trouble defining the genre in which Ringo makes her music. Unlike the previously mentioned Koda Kumi, Ringo does not really sing typical J-Pop songs. More often than not her songs are a mix of rock, punk and jazz with a pinch of electronica.
The multitalented singer started out in 1998 with songs still very focused on rock (e.g. Queen of Kabuki-cho). In the early 2000s however she started to make more funky/jazz sounding songs like Chastity at Midnight. When I first discovered Ringo somewhere in 2009 I really had to get used to her, let's say 'unique', voice. Over time however I became more used to it and even started to appreciate the distinctive sound. What kept me hooked all these years however was mostly the amazing arrangements she makes. From the jazzy ones like Season and her collaborations with jazz band SOIL&"PIMP"SESSIONS (e.g. MY FOOLISH HEARTcrazy on earth) to the larger orchestrated pieces like The Leading Hitter and Carnation. And from the electronica influenced Detecting Love (awesome music video by the way) to the more rocking CollateralDamage. Every song she makes has an uniqueness to it which gets me excited every time she releases a new one.




Check out more of her songs on her Official YouTube Channel.

31 July 2016

J-Pop: Koda Kumi


In the summer of 2009 (as mentioned before) I decided to do a YouTube search for Japanese music. I had just seen a rerun of Fast and Furious Tokyo Drift on TV and became interested in the music. One of the first hits to pop up in the YouTube search for "J-Pop" was Juicy, by Koda Kumi. I liked the video, for obvious reasons, and decided to delve further into this artist. What I found was probably the most diverse Japanese singer of the past decade, and I became an instant fan. Kumi started out in December 2000 with her first single Take Back, not a great song but you have to start somewhere. After that she released around 20 singles and 4 albums before she really broke trough in 2005/06 when she started the 'ero-kakkoii' trend as shown for instance in Candy or the more recent Pink Spider. Ero-kakkoii which translates into 'sexy cool' can be seen as the opposite of the in Japan popular 'ero kawaii' sexy cute, although Kumi has also mastered this latter one, as shown in Lovely. Besides the sexy and cute concepts Kumi has a third distinct song style; love ballads (see Yearn for You). As I said she's a diverse and well rounded singer, something I've experienced myself when I attended one of her 2014 concerts during my internship in Tokyo.
In total Kumi has released 57 singles and 12 albums, of which 8 have reached the #1 chart position in Japan. Last year she celebrated her 15 years in the music business and, luckily for me, she doesn't show signs of stopping anytime soon.


Other favourites:             Cute: Lick Me, Superstar and Everyday
                                        Sexy/Cool: Crazy 4 U, Taboo, and POP DIVA
                                        Ballad: Fate, I Love and Only You

Check out more of her songs on the avex trax YouTube channel.

3 July 2016

K-Pop: BoA

The summer of 2009 was a great time for me, musically. I had just graduated high school and had plenty of time to roam the internet looking for new music. One of the genres I discovered that summer was K-Pop. At that time Korean pop music was just starting to get more popular globally, a phenomenon known as the Korean Wave (or Hallyu). And riding that wave was Boa Kwon, simply known as BoA. Although the singer already debuted in 2000 at age 14 and became a major star in both Korea and Japan, it was not until 2008 that she released her first English singles. It was one of these songs, Energetic, that caught my eye. Admittedly it is probably not her best song but I was hooked regardless (I cannot exclude her looks played a part as well :p). The States however didn't work out for BoA so she returned to Japan where she released Bump Bump!! and has been releasing music from there and Korea ever since. Her most recent single is called No Matter What and was released last month. It has a cool house-beat and seems perfect for the time of the year.



Other personal favourites: Hurricane Venus, The Shadow & Kiss My Lips

Check out more songs at her YouTube playlist.