Showing posts with label K-Rap. Show all posts
Showing posts with label K-Rap. Show all posts

30 December 2018

2018 in Music


As the year draws to a close almost every paper, magazine or website bombards you with lists that summarize, rank or rate this year's events. Because of this, and partly because the amount of posts has been lacking lately (mea culpa), I've decided to come up with my own summary. Of course it's a difficult, if not impossible, task to make an overview that justifies all released music this year. Therefore I've made a list of the artists and songs, covering different genres, that shaped my year. Enjoy '2018 in Music' and here's to a very musical 2019!!!

Hardstyle: Headhunterz
Admittedly, I haven't listened to much hardstyle this year. The genre just doesn't grip me as much as it used to anymore. There was however one album that did get my attention: 'The Return of Headhunterz'. It's a fitting title since Headhunterz' last hardstyle work dated from 2012.
The album is filled with the euphoric hardstyle bangers one might expect from this legend. No One Can Stop Us Now, Destiny and Path of the Hunter (based on the traditional Japanese song Sakura) are all equally impressive. My favourite song from the album however is Rescue Me, which is mainly due to the entrancing vocals of Lauren Nicole Walker




Ska punk: Leningrad
In March I stumbled across a Russian band called Leningrad and as you could read in my post I was very enthusiastic about them. Since I wrote that blog the band has continued to release a string of hits. Not Paris, Ju-Ju, Tsoy and Gold all have their own characteristic style both in sound and video. Out of all the artists I've discovered this year they're probably my favourite. Every time they release a song I can't wait for their next mini-story.



J-Pop: Reol
Believe it or not but 2018 was also the year I finally joined Spotify. Of course I had checked it out previously, but back then their library was far from complete and I felt it wasn't worth making an account for. However after my free month of Spotify premium this year I was sold. Their library now contained most of my favourite artists and discovering music was now so much easier. Case in point: Reol. Her high-pitched voice might not be everyone's cup of tea, but I absolutely love her unique way of singing. Her songs have both rock (End and SAIREN) and electronic (Saisaki and Violent White)  influences.



Reggaeton: Mau y Ricky
As summer started to approach my focus shifted to the Latin part of the world. Besides Sofia Reyes 1, 2, 3 (see post) the song I found myself playing most was the remix of Mau y Ricky's Mi Mala. The song itself is perfect for the hot summer weather but it also introduced me to a whole array of Latin artists and songs: Karol G (Mi Cama), Becky G (Sin Pijama), Leslie Grace (Duroy Suave) and last but least Lali (Sin Querer Queriendo).



Powermetal: Powerwolf
Another recommendation from Spotify, no doubt based on my love for symphonic and power metal, came in the form of Powerwolf. This German metal band is characterised by their gothic sound which makes heavy use of organs and choirs. Songs usually include werewolves, vampires or other dark fairytales fused with religious aspects. In combination with the raw voice of lead singer Atilla Dorn this all leads to very epic sounding songs like: Fire & Forgive, Demons Are A Girl's Best Friend and Killers With The Cross.


  
K-pop: Red Velvet
Long time readers of my blog might know that I've been a K-pop fan for years now. So much in fact even that this year I decided to pay a visit to the country that sparked the K-wave: South Korea. From the moment I set foot in Korea's capital Seoul it was clear that there was no escaping K-pop. In districts like Myeongdong and Gangnam stores blast K-pop through their speakers, sell K-pop merchandise and K-pop stars advertise everything from beverages to circle lenses. One of my favourite groups, that I actually had the pleasure of seeing perform live, is Red Velvet. The group, that even did a show in North Korea, combines a cute and bubbly image (Power Up) with a more mature and sexy one (Bad Boy).




Blues rock: Greta van Fleet
One band that really exploded into fame this year was Greta van Fleet. Many of my friends named them as their favourite festival act (as described in this post). Their enthusiasm was so infectious that I decided to pay Greta van Fleet a visit myself, together with my brother.  Their concert was held in October shortly after the release of their first full-length album 'Anthem of the Peaceful Army'. And while their performance was absolutely great their new work contained some more mellow songs, which weren't really to my liking. The song When the Curtain Falls however is one of my new favourites.



Hip hop: GRAY
Every country has their own talent shows on TV. Programs like Idols, The Voice and ... Got Talent in which "new stars are born". Usually I don't watch these shows because they don't produce the kind of artists I'm interested in. One exception I make for the Korean show 'Show Me The Money'. A hip hop talent show, believe it or not. This year the top six candidates performed a song together created by one of Korea's best hip hop producers: GRAY. It's a great song but apparently GRAY thought he could improve it, so he invited some other hip hop artists to feature on the track. The result is the 20 minute long 119 remix featuring not six, not ten, but 51 different artists!!! If you ever needed an introduction to the Korean hip hop scene this is it.



Other favourites
Arctic Monkeys - Tranquility Base Hotel & Casino (Indie rock)
BLACKPINK - DDU-DU DDU-DU (K-Pop)
TheFatRat - MAYDAY feat. Laura Brehm (Electronic)
Jvcki Wai - Enchanted Propaganda (Hip hop)
m-flo - No Question (J-Pop)

19 March 2017

K-Rap: San E


Seoul, or the 120 Days of Sodom, the latest single from San E, is a song that describes the vices associated with fame; alcohol, drugs and sex. It stands in stark contrast to the poppy start of the rapper.
Back in 2010 Korean born, but US raised rapper San E signed a record deal with JYP Entertainment, one of the three biggest record labels in Korea. As you might know the Korean record industry tightly controls every aspect of their artists, from their music to their image. In the case of San E this resulted in his debut single Tasty San, a song that's mostly just comical and meant to reach a large audience. Even though he had some minor success San E's ambition and style however made him decide to leave JYP Entertainment in 2013 and join Brand New Music, a label focusing on hip hop and R&B. This change was accentuated by the release of Rap Circus, a hardcore hip hop song in which he criticizes his previous image. This was quickly followed by his first #1 charting song Story of Someone I Know, a serious but more accessible song.
San E's career took off,  he collaborated with many Korean rappers and singers to create hit after hit, including: Where Did You Sleep (with label mates Verbal Jint and Swings), A Midsummer Night's Sweetness (a sugar sweet duet with singer Raina) and the sexy Body Language.
Everything seemed to go well for the rapper. He released an album in 2015 and was a judge and host on TV shows like 'Show Me The Money' and 'Unpretty Rapstar'. By the end of 2016 however all the fame and money started to go to his head. He became arrogant, depressed and addicted to alcohol and drugs. This process and how he overcame it was conceptualised in his latest EP 'Season of Suffering'. In the song Seoul, or the 120 Days of Sodom he describes the first stage, as mentioned earlier. In Counselor he acknowledges that he has a problem and discusses his condition, playing both the patient and the counsellor. Finally in I Am Me he accepts himself and overcomes his depression.
The 'Season of Suffering' EP is probably one of my all time favourite K-Rap releases. I'm glad to see San E is recovered and can't wait to find out which hits he has in store for 2017.



Other favourite songs: Coach Me, Do It For Fun & What If

For more videos check out San E's official YouTube channel or his playlist at the BRANDNEW MUSIC channel.

9 October 2016

K-Rap: Jay Park


As I've mentioned in an earlier post I discovered K-Pop in 2009. Since I'm also a big hip hop fan you might assume that I therefore also dove right into K-Rap. However at that time hip hop wasn't very popular in Korea, making it difficult to find on YouTube. It wasn't until 2012, with the start of 'Show Me the Money' (a kind of Idols, but with rappers i.o. singers), that hip hop gained some traction. One of the first Korean rappers I discovered, and still one of my favourites, is Jay Park.
Born in the US Jay Park decided to come to Korea in 2005 to become singer in a boyband. However only a year after debuting in 2008 with his group '2PM' he decided to leave the group. Probably not pleasant for him at the time, but a fortunate event for hip hop fans around the world, since this meant that Jay could focus on hip hop instead of generic pop songs.
The first song I heard of Jay was the raw hip hop song 1HUNNIT which is a collaboration with fellow rapper Dok2. This song sounds very different from the more recent On It which has a more classic hip hop sound to it. In addition to hip hop he also has several nice R&B tracks like Solo and Aquaman. In 2013 Jay started his own record label: AOMG. Label mates LOCO and Ugly Duck regularly make appearances in his works as seen in NaNa and the NSFW Mommae. For those of you who still aren't convinced: Fire, dancers and dope beats, cause there Ain't No Party Like an AOMG Party.


Other favourites: My Last, Worldwide and Me Like Yuh.

Check out Jay Park's Official YouTube channel for more videos.